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  • 萨姆·德·格拉斯 Francelia Billington 埃里克·冯·施特罗海姆 Fay 
  • Two differences between this Austrian version and the generally available American version are immediately obvious: they d iffer both in their length and in the language of the in tertitles . The Am erican version is only 1 , 883 me tres long - a t 18 frames pe r second a difference of some 7 mi nutes to the A ustrian versio n with 2 , 045 metr es. Wherea s we original ly presum ed only a negligible difference, result ing from the varying length of the i ntertitl es, a di rect comparison has nevert heless shown that the Austrian v ersion dif fers from th e America n version bo th in the m ontage an d in the durat ion of indiv idual scenes . Yet how coul d it ha ppen that the later regio nal dis tribution o f a canon ical US si lent fil m was longer t han the "origi nal version&a mp;quot;? The prevalen t American version of Bl ind Hus bands does not cor respond t o the version shown at th e premier e of 1919. T his little-kn own fact w as already p ublishe d by Rich ard Koszars ki in 19 83. The film was re- released by Un iversal Pict ures in 1924, in a v ersion that was 1, 365 feet (416 metres) shorter. At 18 frames p er second , this amounts to a tim e differ ence of 20 minutes! & amp;quot ;Titles we re altered, snippets o f action removed and at least one maj or scene t aken out en tirely, where von Steuben an d Marga ret visit a small local ch apel.&quot ; (Koszarski) From the present sta te of res earch we ca n assume that all the known A merican copies of the film derive from this shortened r e-release ve rsion, a copy of which Universal donated to the Museu m of Mod ern Art in 1941 . Accordin g to Kos zarski the ori ginal ne gative o f the film w as dest royed someti me between 195 6 and 1961 and has therefo re been irre trievably lost. This i nformation c asts an interesting li ght on th e Austrian version , which c an be date d to th e period betw een the summ er of 19 21 and the w inter of 1922. Furthermore , the copy is some 20 0 metres longer than the US version of 192 4. If one fol lows the detail s given by Richar d Koszarski and Arthur L ennig, this means t hat, a s far as b oth its d ate and its length are co ncerned , the A ustrian versio n lies alm ost exactly i n the mi ddle between the (lost) v ersion shown at the premiere an d the r e-released one .A large part o f the additi onal length of the fil m can b e traced to cuts that wer e made to t he 1924 versi on in almost every shot. Kos zarski describ es how the beginning and the end of scen es were tri mmed, in o rder to &q uot;speed up&qu ot; the f ilm. Howev er, mor e excit ing was the di scovery t hat the Austrian versio n contains sho ts that ar e missing in the Am erican one - s hots/cou ntershot s, intert itles - and furthermo re shows dif ferences in its monta ge (i.e. the placing of the indivi dual sho ts within a s equence). A ll this indicates that Die R ache der Be rge const itutes the oldest and m ost completely preserve d material of t he film.

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